Blues Matters - U.K.
"...the listener could be forgiven for thinking they were listening to an early Blues singer, stomping heels, strong vocals and acoustic guitar."
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St. Mary's College of Maryland  "He made me feel like I was sitting on my front porch in New Orleans eating alligator."
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Blues Revue - "Murder of a Blues Singer opens with Austin "Walkin' Cane's unaccompanied voice booming like Son House's. The acoustic slide comes in after a few bars, turning "High Rent Lemon Girl, Aren't Ya?" into a deeply felt evocation of a blues master."
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BluesWax - "A really great album is more than a collection of songs and Murder of a Blues Singer ends up being greater than the sum of its parts. When it's over, you feel like you've been somewhere."
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West Virginia University Chronicle - “ an old time bluesman with a mastery of acoustic slide guitar”
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Living Blues

"...gravelly moan & keening slide guitar".
"Austin "Walkin' Cane's" music should find favor with fans of other deep rooted modernists like Otis Taylor & Alvin Youngblood Hart".
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Jazz & Blues Report - “Hold On The Night” is an all-out dance floor
assault."
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UltimateGuitar.com - “sings in a way that would leave Joe Cocker jealous.
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Cleveland Magazine -  Austin "Walkin' Cane" proves the blues isn't so much about dealin' with the devil as it is working like hell to stay a few steps ahead of him."
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North Dakota State University

"If the people at the Union would book acts like you to play on our campus more often, I would get alot more involved with my university!"
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